Skip to main content

Light Pollution Does Chicago Proud With Instruments and Music


Just when you thought modern music had lost its soul . . .


While New York City churns out dance pop, Seattle cries tears of indie rock goodness, and Los Angeles provides us with all our Garage Punk needs, Chicago keeps relatively to itself: an introspective tinkerer, dabbling in the dazzling. From Chicago we get Steve Albini, Touch and Go Records, Cap'n Jazz, and now Light Pollution.

The press release I received states that Light Pollution is, "never stagnant, and constantly expanding their musical horizons. [The] music is a kaleidoscope of sound, encompassing everything from backward tapes to dissonant piano rolls to even crunching leaves." In short, a band that is doing something interesting. And we like that.

We receive a lot of music here at Duck & Cover, but Light Pollution stood out. As it played through we all sat back on the couch, put our hands behind our heads, and someone muttered, "Ah. Real musicians playing real music. So rare these days." Indeed.

The only criticism I have is the singer's voice stands out a little too much, especially on Firewood, on which singer Jim Cicero's voice swings and lilts through verses that, quite honestly, aren't very interesting. But things get better on the next song, and the next, and the next--and by the last track you're dancing around the kitchen playing drums with jars of salsa (not advised).

Light Pollution is releasing their debut album in early 2009, but they have a 22-minute EP available now. Check their MySpace page for more details.

You'll like Light Pollution if you like Talking Heads, Okkervil River, crisp autumn afternoons, my good friend Phil, apples, or middle distance running.


Band :: Light Pollution

Song :: Each Bone in My Back

Comments

Popular posts from this blog

May Day Is Lei Day

For the past 31 years in Honolulu, the Brothers Cazimero have hosted an annual May Day variety show at the Waikiki Shell Ampitheatre (because May Day is Lei Day!). When living there, I had the privilege of attending twice, the last time being the 30th anniversary, and just after the sad passing of the legendary Don Ho. Both times were, at the risk of allowing my cynical mask slip, magical. The May Day show is great fun, and follows the format of an old time variety show -- there is an aura of glamour interspersed with a decidedly camp sensibility, with hula stars of past and present gracing the stage. Spirits are high, and the banter among the performers is priceless; at times it feels as though you've wandered into a family reunion, and are a long lost cousin -- instantly at home and enveloped in the warmth. It's a time to celebrate the spirit and culture that truly do make the islands such a special place. There's a song that plays before the Sunset On The Beach movies...

Contest! Design the Official Decemberists Show Poster

On March 18th, The Decemberists will give the debut live performance of their epic new song cycle The Hazards of Love when they headline NPR Music's SXSW showcase at Stubb's in Austin. To mark the occassion, Capitol Records (who will release the album on March 24) and Imeem are inviting fans to design the official poster for the showcase with a contest -- the winning design will be hand-picked by the band and contestants can enter on the Decemberists' Imeem page . The Decemberists will play The Hazards of Love, in sequence, in its entirety. Joining all five members of the band on stage will be Lavender Diamond’s Becky Stark and My Brightest Diamond’s Shara Worden, who lend leading vocals to the album. Opening bands are North Carolina trio The Avett Brothers, set to debut songs from its forthcoming album produced by Rick Rubin, and bluesy rockers Heartless Bastards, riding the success of its third record, The Mountain. The concert will begin at 10pm CST and will be str...

Celebrate Halloween with Peter Squires's New Video, "Witch"

I don't usually do festive or holiday posts. In fact, the closest I get is writing some kind of seasonal bent against a track, and only then when I've had too much coffee and can't find any relation to a song other than what the weather is doing. I just think holiday-themed posts / articles are lazy. But Halloween is different. Why? Because Halloween, to paraphrase Wesley Willis, whips a horse's ass. So when Ryan from The Musebox put me on to Peter Squires a few days ago, I knew it was going into the annals of Duck & Cover (that's right, I said "annals" on the Internets). From the Press Release: Peter’s direct and honest vocal delivery is reminiscent of contemporaries such as Kimya Dawson and Luke Temple. The album is all heart, laid bare for our aural pleasure. Woe Is Me was recorded in Peter Squires’ Brooklyn bedroom and is available on his website for fans to download at no charge. The first video from the album is “Witch” and it was just rele...