Skip to main content

Lifter Puller :: Fiestas and Fiascos


Fiestas and Fiascos
Lifter Puller
2000 Self Starter Foundation

There once was a band, from Minnetonka, or Minnesota, or, well, actually, they were from Milwaukee... as were, I believe, Laverne and Shirley. They were here, they were now, they were discordant, they were literate, they were, arguably, beyond brilliant. They told stories, and then they were gone. Eventually, they were reborn as the Hold Steady, and, to a good degree, they were very similar. However, we are not here to talk about the Hold Steady. We do, however, love the Hold Steady; one could go so far as to say that we have a big boner for the Hold Steady. Again, however, our feelings for the Hold Steady are not up for discussion. We are here to discuss Lifter Puller, and, more specifically, the brilliant album "Fiestas and Fiascos".

Many years ago, I bought tickets to a show at Brownie's in NYC -- a club that most everyone will remember as being "important". Well, as clubs go, and importance goes, Brownie's closed for reasons that escape me, and, in any event, I bought tickets to the Very Last Show at Brownies in NYC, which was also a reunion of Lifter Puller... and then we didn't go. Tickets were purchased, but, sadly, flights were never booked, and an amazing opportunity was, literally, thrown away. However, this is not about Brownie's, or regret, or missed opportunities. This is about Lifter Puller, Nightclub Dwight, the Guy with the Eyepatch, a bar called the Nice Nice, and the place where they all come together, a record called "Fiestas and Fiascos".

In short, there's simply not much that can be said about "Fiestas and Fiascos", other than the fact that it is sheer and total brilliance. In fact, this may be the anti record review. There's not much to say other than, if you have not heard this record, then you must. If you have heard it, and don't love it, you are personaly deficient. An entire review could be written quoting Craig Finn, and anyone who spent their formative years in the Midwest will especially appreciate his tributes to 3.2 beer, mini-thins, park sex, hard drugs, and dangerous living. (We're from the Midwest, don't question us. We know about these things. Well, maybe not the park sex; that's just dirty... Well... oh, never mind.) There is easily a novel hiding in plain view amongst the lyrics of Fiestas, and it's impossible to describe the exhileration that Finn's literacy can incite. Each song yields something brilliantly quotable that makes you forget everything you just heard; and they manage to do it over and over again. Seriously, this is music that you can get lost in, and still consistently be amazed as the words unfold like a chinese puzzle; forever amazing.

Smokin' Weed and Makin' Money indeed.

Recommended? Only for the cool kids

Comments

Popular posts from this blog

Lucero Video for "Darken My Door"

Darken My Door from Lucero on Vimeo . It's good to see that a serious band doesn't have to take itself seriously. Even better when a band's fans don't take them too seriously. "Darken My Door" off of Lucero's latest album, 1372 Overton Park , is a song about losing stuff--girlfriend, money, dignity. In fact, a lot of Lucero's songs are like that, but I'm not getting into that now. I'm talking about the video, which has so much to love. Obviously, I love the fact director Alex Mecum has used a puppet as the protagonist. But it's what the puppet does that makes this video so much fun. Puppet eating chili dogs, puppet drinking whiskey, puppet giving blow jobs . . . Hell, there's even puppet vomit! It's ridiculous, yes, but also tragic. By the end of the video, if you don't feel a little sorry for the scruffy faced whore puppet, then you have no soul. Here's a little more about the videos for Lucero's new album: To promot...

Okkervil River, Wellington, New Zealand :: Live Music Review

There are energetic drummers, and then there is Travis Nelson. Truly, he is 'Animal.' Okkervil River albums have so much personality, the songs themselves become characters: players, people in the guise of animals or gods (and who can tell the difference sometimes?). And like watching a melodrama, we are witness to emotions that heave and plummet with frightening force. The songs can be drunken youth: the rotund boots on their feet knocking wildly on every surface. Or they can be villainous and smart, full of smiles and wishing-you-well up to the second they thrust the dagger into your belly. Pitched, lust-crazed, calculated: that is one half of an Okkervil album. The other emotion is equally intense in its thick, slow agony: the eternity it takes to remove the knife, knowing you have it all to do over. And so it goes: soaring, drunk, angry, knife, stab, agony, pull-it-out-and-let's-do-it-again. At the San Fransisco Bathhouse in Wellington, New Zealand, on a crisp early a...

Best Music of 2008 [Last.FM gobbles our scrobbles]

Internet radio / social network / music discover tool Last.FM has released its Best of 2008 list. There are going to be dozens of "best" lists coming out in the next few weeks, but this one should command your attention. The list is not based on radio play, and it is not based on best selling albums. It is based on the number of times we (that's the royal "we" in all it's regal garb) have played tracks from our iTunes, iPods, Songbirds, or any other player that allows scrobbling. It is based on what we wanted to hear. We pressed play. We made the playlists. The only fault I can find lies in the Top 10 Tracks, which basically MGMT and Colplay. But that's what you get with raw data. To me, the Artists list is the most compelling. You will find no Kanye West on this list; no Britney and no Janet. You will only find the artists played incessantly and obsessively.