Live Nation + Ticketmaster: "Greater Access, Transparency and Choice"

Live Nation and Ticketmaster released official details of their definitive merger agreement on Tuesday morning, a pact that could have serious implications for the music industry. In the blue-sky announcement, the parties noted that the merger would "improve live event attendance, supporting venues and a healthier industry," while also ensuring "greater access, transparency, and choice" for concertgoers worldwide.

As the expected, the combined group will be called Live Nation Entertainment, a namesake potentially designed to shed baggage associated with Ticketmaster. The parties pointed to an all-stock transaction valued at roughly $2.5 billion, and operational savings of $40 million. In terms of deal mechanics, Ticketmaster (TKTM) shareholders will receive 1.384 shares of Live Nation (LYV) stock, and both camps will carry a 50-percent stake in the combined company.

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Lucero Video for "Darken My Door"

Darken My Door from Lucero on Vimeo . It's good to see that a serious band doesn't have to take itself seriously. Even better when a band's fans don't take them too seriously. "Darken My Door" off of Lucero's latest album, 1372 Overton Park , is a song about losing stuff--girlfriend, money, dignity. In fact, a lot of Lucero's songs are like that, but I'm not getting into that now. I'm talking about the video, which has so much to love. Obviously, I love the fact director Alex Mecum has used a puppet as the protagonist. But it's what the puppet does that makes this video so much fun. Puppet eating chili dogs, puppet drinking whiskey, puppet giving blow jobs . . . Hell, there's even puppet vomit! It's ridiculous, yes, but also tragic. By the end of the video, if you don't feel a little sorry for the scruffy faced whore puppet, then you have no soul. Here's a little more about the videos for Lucero's new album: To promot...

Okkervil River, Wellington, New Zealand :: Live Music Review

There are energetic drummers, and then there is Travis Nelson. Truly, he is 'Animal.' Okkervil River albums have so much personality, the songs themselves become characters: players, people in the guise of animals or gods (and who can tell the difference sometimes?). And like watching a melodrama, we are witness to emotions that heave and plummet with frightening force. The songs can be drunken youth: the rotund boots on their feet knocking wildly on every surface. Or they can be villainous and smart, full of smiles and wishing-you-well up to the second they thrust the dagger into your belly. Pitched, lust-crazed, calculated: that is one half of an Okkervil album. The other emotion is equally intense in its thick, slow agony: the eternity it takes to remove the knife, knowing you have it all to do over. And so it goes: soaring, drunk, angry, knife, stab, agony, pull-it-out-and-let's-do-it-again. At the San Fransisco Bathhouse in Wellington, New Zealand, on a crisp early a...

Best Music of 2008 [Last.FM gobbles our scrobbles]

Internet radio / social network / music discover tool Last.FM has released its Best of 2008 list. There are going to be dozens of "best" lists coming out in the next few weeks, but this one should command your attention. The list is not based on radio play, and it is not based on best selling albums. It is based on the number of times we (that's the royal "we" in all it's regal garb) have played tracks from our iTunes, iPods, Songbirds, or any other player that allows scrobbling. It is based on what we wanted to hear. We pressed play. We made the playlists. The only fault I can find lies in the Top 10 Tracks, which basically MGMT and Colplay. But that's what you get with raw data. To me, the Artists list is the most compelling. You will find no Kanye West on this list; no Britney and no Janet. You will only find the artists played incessantly and obsessively.

Duck & Cover :: Indie rock music writing from Arcade Fire to the Zygotic Minci

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