Grayson Currin, columninst for Nashville Scene , wrote an insightful and higly readable review of O’Death’s third LP, Broken Hymns, Limbs and Skin . What lifts this particular article from the doldrums in a sea of music reveiws is how Currin presents the album as a metaphor for the digital music age. At a time when so many writers can’t craft a single sentence without opeing thesaurus.com (::cough:: Insound ::cough::), a review like this is refreshing. Currin’s central argument is that sourcing your sound from hundreds (Currin tosses out the "B" number) of influences does not guarantee your band will break any ground. In fact, it will most likely just make your album sound schitzophrenic. From the article: The band represents the label's eclectic aesthetic, then, to a world (minus the dwindling ranks of purists) that's realized through praxis that there's less room for genre strictures. This is the time where Hootie goes country, Nelly jams with Kenny Chesney, Lil...
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